Torchlight had 99.3 million outstanding shares as of November 9, 2020. ![]() It is much more uncertain how per foot production rates from a 100' or 1,000' lateral will hold up when moving to 5,000 to 10,000' laterals. However, while many companies have demonstrated relatively stable production levels (per lateral foot) while increasing lateral lengths, those typically involved much longer laterals (such as an increase from 5,000' to 7,500'). Torchlight noted that the initial production rates were strong on a per foot basis. The second horizontal well was a 100' lateral with peak 24 hour production of 33 BOEPD (45% oil). The first horizontal well was a 1,000' lateral that had peak 24 hour production of 2.2 MMCF per day of gas with minimal liquids. It has drilled six vertical test wells and two horizontal wells. The challenge for Torchlight is that its Orogrande acreage is largely unproven in terms of being commercially viable at $50s oil. This area is located west of the Delaware Basin, near El Paso. Torchlight's largest asset (in terms of size) is its Orogrande Basin project, which consists of 134,000 gross acres (72.5% working interest) in Hudspeth County, Texas. The Hazel Project is located in a relatively fringe area (Irion, Sterling and Tom Green counties) of the Midland Basin and thus appears less valuable on a per net acre basis compared to the Winkler Project. This sales would potentially result in $12.4 million in proceeds for 9,600 net acres, or $1,300 per net acre. ![]() Torchlight also has entered into an agreement to sell its Hazel Project. This translates into a price of $3,333 per net acre for this non-operated asset. This was probably the best of Torchlight's assets in terms of quality, although Torchlight's position was small at 135 net acres. Torchlight had a 12.5% working interest (non-operated) for 1,080 gross acres in Winkler County. ![]() In November 2020, Torchlight announced the sale of its interest in the Delaware Basin Winkler Project for $0.45 million. Source: Metamaterial Legacy Oil & Gas Assets Metamaterial believes that it has a very large market opportunity, although the challenge will be to translate scientific advancements into commercial success. So far most of its revenues have been from customer-funded development programs. Metamaterial is primarily a development company at this stage (with around US$1.3 million in revenues during the last four quarters), but has been making moves to scale up production. Torchlight shareholders (as of a yet-to-be-determined record date prior to the closing of the combination) are also expected to receive the net proceeds from the sale of its oil and gas assets. Upon closing of the business combination, Metamaterial shareholders are expected to own 75% of the combined company, while Torchlight shareholders will own 25%. From a relative valuation perspective, it appears much cheaper to bet on Metamaterial directly through its stock than through Torchlight though, as Torchlight's current stock price appears to imply a large amount of value attributed to its largely unproven Orogrande Basin assets. Metamaterial has interesting products, although the challenge will be to achieve commercial success with them. The combined company will focus on Metamaterial's business going forward, while attempting to sell Torchlight's oil and gas assets. It has signed a business combination agreement with Metamaterial ( MMATF), which is basically a reverse takeover so that Metamaterial ("a developer of high-performance functional materials and nanocomposite products") can gain improved access to capital markets with a NASDAQ listing. ![]() Torchlight Energy Resources ( TRCH) has seen its shares surge in recent weeks.
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The performance characteristics of the CSF biomarkers for acute meningitis were calculated using positive CSF culture for bacteria as the reference method. To study the accuracy of the CSF biomarkers in diagnosing atypical acute BM, this group was further subdivided into (a) definitive acute BM with typical CSF cell characteristics, that is, increase in total WBC with predominance of neutrophils ( n = 43 76.8%), and (b) definitive acute BM with atypical CSF cell characteristics, that is, increase in total WBC with predominance of lymphocytes or normal CSF WBC count (≤5 × 10 6/L, n = 13, 23.2%). Thirty-four cases (54%) were due to gram-positive bacteria: Streptococcus pneumoniae ( n = 18), coagulase-negative staphylococci ( n = 9), Staphylococcus aureus ( n = 4), Group D Streptococcus ( n = 1), Streptococcus viridans ( n = 1), and Streptococcus sanguinis ( n = 1) 29 cases (46%) were gram-negative bacteria: Neisseria meningitidis ( n = 9), Enterobacter cloacae ( n = 6), Klebsiella pneumoniae ( n = 5), Acinetobacter ( n = 2), Escherichia coli ( n = 2), Haemophilus influenzae ( n = 1), Enterobacter aerogenes ( n = 1), Klebsiella oxytoca ( n = 1), Proteus mirabilis ( n = 2), and Pseudomonas stutzeri ( n = 1). Group 1, definitive acute BM ( n = 63): all cases were caused by bacteria identified by culture. ![]() Conclusion: The CSF lactate assay can be routinely used in laboratories as a rapid, automated, and easy method that is independent of lactate blood levels. CSF lactate showed better operational characteristics than those of CSF GL and CSF/blood GL ratio, presenting the highest positive likelihood ratio, and thus aided in the differential diagnosis of VM with atypical CSF. Definitive acute BM or VM with atypical CSF cell characteristics was observed in 23.2 and 21.6% of samples, respectively, and these groups showed reduced performance of characteristics of all CSF biomarkers. CSF lactate presented higher specificity (92%) and negative predictive value (94%) compared to CSF GL and CSF/blood GL ratio in distinguishing acute BM and VM. Results: Lactate level in the CSF of acute BM group was 4-fold higher than that in the acute VM and control groups ( p < 0.0001). Methods: Three hundred and twenty-four CSF reports were included, which were distributed as the acute BM, VM, and normal control groups ( n = 63, 139, and 122, respectively). ![]() ![]() We compared the ability of lactate and glucose (GL) in CSF and the CSF/blood GL ratio to distinguish between acute BM and VM with typical and atypical CSF characteristics. Objective: Several cerebrospinal fluid (CSF) biomarkers are used to distinguish between acute bacterial meningitis (BM) and viral meningitis (VM). ![]() McCloud has faced intense scrutiny from the FBI, and on a couple of occasions - in 1992 and again in 2001 - arrest and trial by “not very sympathetic” juries, who nonetheless acquitted him both times. The house also features a perforation board, allowing McCloud to turn any work of art sized 7.5 by 7.5 inches into 900 pieces, as is typical for LSD blotter sheets. Most of the sheets are framed and hanging on McCloud’s walls, decorating the home with vibrant colors and patterns, and the rest are kept safe in binders. The house preserves over 33,000 sheets of LSD blotter, treating them like tiny little works of art. Specifically, as Culture Trip explains, McCloud preserves the art on sheets of blotter acid. As is clear from the many pop cultural references on blotter art - like Beavis and Butthead and techno artist Plastikman (who named his debut album Sheet One) - the 60s blotter acid legacy extended far beyond its founders’ vision in underground scenes throughout the 70s, 80s, 90s, and oughts.Īlso known as the Blotter Barn or the Institute of Illegal Images, McCloud’s house is located on 20th Street between Mission and Capp. ![]() His mission in creating and maintaining the museum formally called the Institute of Illegal Images, he says, is to “preserve a ‘skeletal’ remnant of San Francisco’s drug-induced 1960s legacy, ‘so maybe our children can better understand us.’” “In the same moralistic manner many San Franciscans pontificate on the health benefits of marijuana,” writes Gregory Thomas at Mission Local, “McCloud and his friends tout the merits of acid.” Next to curing “anxiety, depression and ‘marital problems,’” it is also an important source of folk art, says McCloud, the owner and sole proprietor of the informally-named “LSD Museum” housed in his three-story Victorian home in San Francisco. None of this comes as news to San Francisco fixture Mark McCloud. “Scientists are rediscovering what many see as the substances’ astonishing therapeutic potential.” Psilocybin, MDMA, and LSD “have been steadily making their way back into the lab,” notes Scientific American. “Once dismissed as the dangerous dalliances of the counterculture,” writes Nature, psychedelic drugs are “gaining mainstream acceptance” in clinical treatment. But it has since returned with newfound respectability. government, repressing what the government had itself helped bring into being. Whatever uses it might have had in psychiatric settings - and there were many known at the time - LSD was made illegal in 1968 by the U.S. Not long afterward, Grateful Dead soundman Owsley “Bear” Stanley synthesized “the purest form of LSD ever to hit the street,” writes Rolling Stone, and became the country’s biggest supplier, the “king of acid.” Kesey administered the drug in “Acid Tests” to find out who could handle it (and who couldn’t) after he stole the substance from Army doctors, who themselves administered it as part of the CIA’s MKUltra experiments. ![]() When Ken Kesey and his Merry Pranksters kicked off Haight-Ashbury’s counterculture in the 1960s, LSD was the key ingredient in their potent mix of drugs, the Hell’s Angels, the Beat poets, and their local band The Warlocks (soon to become The Grateful Dead). ![]() It provides exceptional bond and low absorption in adhered systems and offers sustainable design for all types of roofing systems.4165836636211 USG Imperial Veneer Basecoat Plaster Veneer Finish 50 lb 26.18 ////USD OutOfStock Paint and Cleaning - Christmas Paint & Cleaning Deals Paint & Cleaning December Specials Paint & Paint Supplies Paint & Paint Supplies This high strength, veneer plaster produces a hard, abrasion resistant surface for commercial and residential applications where walls are exposed to significant traffic. 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Mirror Mobile Phone to PC in 3 WaysĮxplore three convenient methods for connecting your mobile phone to your PC. It’s a feature-packed experience that enhances your mirroring activities in outstanding ways. ![]() What makes this feature truly remarkable is the ability to control the second screen using your fingers.Įnjoy the flexibility to zoom in and out, flip the screen from left to right or vice versa, and utilize the virtual keyboard for seamless typing. With this innovative addition, you can extend your primary screen onto a secondary display. Introducing a groundbreaking feature in LetsView - the Dual Screen functionality. During mirroring sessions, support the automatic availability of a pen and highlighter, allowing you to draw or emphasize specific details on the screen seamlessly. With this tool, you can easily highlight any element on the screen. The Brush feature in LetsView proves to be exceptionally useful in mirroring activities. 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Our warehouse staff is highly trained to package your goods exactly according to the specifications we provide. Thanks to our longstanding association with UPS FedEx DHL as well as other top international carriers, we are able to provide a range of shipping options. Quick Shipping and Professional Packaging May contain traces of: nuts (almonds, hazelnuts, cashews). Ingredient: Vanilla cream (vegetable oils (palm oil, sunflower oil), sugar, whey powder, glucose syrup powder, whole milk powder, wheat starch, emulsifier: sunflower lecithin, natural flavorings (vanilla and milk), wheat flour, vegetable margarine (palm oil, sunflower oil, water) sugar, salt butter.Tesoro puff pastry with vanilla cream by Matilde Vicenzi makes for a light, quick and delicious snack at any time of the day, especially during breakfast! Italians love pastries for breakfast, so if you’re looking for the most authentic sweet breakfast, pair these fine sweets with a cup of cappuccino! Many Italian artisanal brands and Italy’s favorite products can be found in our online Italian grocery store ! With over 115 years of experience, the Vicenzi brand still follows the philosophy of simplicity and quality by using fresh eggs and high-quality Italian wheat. The founder of Matilde Vicenzi, Matilde Vicenzi herself always loved creating pastries at home, and with the support from friends and family, she began her own pastry shop, which quickly became popular throughout the region. ![]() ![]() Matilde Vicenzi is an artisanal family-owned bakery brand that started as a small pastry shop, also known as pasticcerie, in 1905 in San Giovanni Lupatoto, Verona, Italy. ![]() To discover more Italian puff pastries and other authentic delights such as ladyfingers, Baci di Dama, Cantuccini, Biscotti, and more, check out our wide assortment of Italian cookies ! 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![]() If you pay in full, we’ll credit your payment method after we receive your trade-in. If you pay monthly, we’ll apply the value as instant credit to lower the monthly payments of your new iPhone. Based on what you tell us, we’ll provide an estimated trade-in value. Simply answer a few questions about your device. To learn how to transfer data to your new iPhone, see /en-gb/HT201269 (opens in new window).Īpple Trade In makes it easy to get credit towards the purchase of your next iPhone. If you are switching from Android, you need to download the Move to iOS app first and follow the setup process on your new iPhone. For phones using iOS 12.4 or later, Quick Start offers the option of using device-to-device migration, allowing you to transfer all your data wirelessly from your current device to your new one. With Quick Start, you can restore your data and content to your new iPhone from your iCloud backup. Just sign in to iCloud when you set up your new device, access your previous device’s iCloud backup and you’ll be ready to go in minutes.ĭon’t have enough iCloud storage to complete a backup? iCloud will grant you enough temporary storage to make sure you can back up your device and get all of your data transferred, free of charge (iOS 15 required). Yes, iCloud makes moving your settings, photos, apps and documents to a new device seamless. The impolite music and dance of cacophony, dissonance, and disorder vibrate with a fugitive, turbulent Otherness, hinting at the specters of alternate social, spiritual, and aesthetic orders. Yet in these paradigmatic dyads one term always implies-indeed, defines-the other in these relations there is never erasure, but rather evidence of white culture’s perverse fascination-envy, even-with the sonorous, dislocated, inciting, and infinitely suggestive products of black culture. Purity and pollution, harmony and dissonance, over and under, order and disorder, Christian epiphany and damning confusion have limned the edge distinguishing freedom and personhood from enslavement and abjection. Stealing across the borders delineating her social and class identity, Amaya created a fiery and volcanic style which was Gypsy in its very edge of violence and which shaped the bedrock of the international public’s notions of flamenco dance to this day.įrom pre-modern Christmas pageants all the way through to Jordan Peele’s “sunken place”-a place where, as Simone de Beauvoir has written, the subjectivity of “sovereign and unique” beings “is crushed by the dark weight of other things,” Whiteness and Blackness have been conjoined in a series of negative correlations. Masked by the transgressive Gypsy reputation, Amaya enacted exotic and frightening edges of behavior beyond the pale of the aesthetic norms of her day. Amaya followed in the venerable Gypsy tradition of fulfilling her audience’s stereotypic expectations. Stemming from the seductive yet threatening fortune-teller’s gaze, Amaya’s hotly radical innovations demonstrate continuity with long-standing traditions of Gypsy performance. ![]() Amaya’s movement and presentation carry the heat of border trespasses between male and female, between Spanish concert dance and her home-grown Gypsy style. The forms of the Gypsy mask, manifestation of the relationship between performance by Spanish Gypsies and performance of them by others, ground a detailed analysis of Amaya’s dance. These two historical lines define each other by their very opposition, although their expressive forms often blend. Amaya’s biography is therefore set into a background tracing in parallel the history of Gypsy performance in Spain and the development of their stereotypic image and representation. Flamenco was born from the performance of Spanish Gypsies, yet Amaya was the first Gypsy to gain fame on the international concert stage. It asks why Amaya was an important artist: what was innovative and seminal in her dance? It also asks why Amaya was such a popular artist: what deep nerve did she strike in European and American sensibilities? These questions are approached by examining Amaya’s historical context. This dissertation documents, through primary research, Amaya’s life and dance. Dressed in male costume, she rose to international stardom in the 1930s, 40s, and 50s, raising flamenco to a new level of stature and visibility. ![]() ![]() Bom in poverty, trained on the streets and on the cart which was the family’s home, Amaya created a style blending the expression and seduction of the feminine dance with the aggressivity, speed, and risk of the masculine. Carmen Amaya was one of the most important and influential dancers in Flamenco history. |
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